Thursday, September 25, 2008




The history of Western painting represents a continuous, though disrupted, tradition from Antiquity.[1] Until the early 20th century it relied primarily on representational and Classical motifs, after which time more purely abstract and conceptual modes gained favor.

Developments in Western painting historically parallel those in Eastern painting, in general a few centuries later.[2] African art, Islamic art, Indian art,Chinese art, and Japanese art each had significant influence on Western art, and, eventually, vice-versa

Western painting








New Rajput Painting II





New rajput Painting









Rajput painting, a style of Indian painting, evolved and flourished during the 18th century in the royal courts of Rajputana, India, flowing from the style of Mughal painting, itself derived from the Persian miniature. Each Rajput kingdom evolved a distinct style, but with certain common features. Rajput paintings depict a number of themes, events of epics like the Ramayana and the Mahabharata, Krishna’s life, beautiful landscapes, and humans. Miniatures in manuscripts or single sheets to be kept in albums were the preferred medium of Rajput painting, but many paintings were done on the walls of palaces, inner chambers of the forts, havelis, particularly, the havelis of Shekhawati, the forts and palaces built by Shekhawat Rajputs.

Rajput Painting





Mughal Time Painting





Mughal Painting II






Mughal painting is a particular style of Indian painting, generally confined to miniatures either as book illustrations or as single works to be kept in albums, which emerged from Persian miniature painting, with Indian Hindu and Buddhist influences, and developed during the period of the Mughal Empire (16th -19th centuries).

Mugal Painting